Verschijnen biografie Gisèle

Annet Mooij

De Eeuw van Gisèle
Mythe en werkelijkheid van een kunstenares

De Bezige Bij. September 2018.

Zeven jaar geleden benaderden wij  Annet Mooij met het verzoek het leven van Gisèle te beschrijven. Het niets verhullende resultaat van haar intensieve onderzoek levert een prachtig en meeslepend boek op, dat je vanaf de eerste bladzijde meeneemt in de ontwikkeling van een wat flirterig katholiek-aristocratisch meisje dat nog niet weet wat ze wil, tot een verbazingwekkend veelzijdige persoonlijkheid en kunstenares, die als het er tijdens de Tweede Wereldoorlog echt om spant ,een vriendengroep rondom de Duitse dichter Wolfgang Frommel omarmt en moedig onderdak verleent.

Annet Mooij legt de lang verzwegen moeilijkheden bloot die Gisèle ondervond in diezelfde vriendengroep, de absolute dominantie van Wolfgang Frommel, de pijn om als vrouw stelselmatig buitengesloten te worden uit deze inner circle en de ondankbare en denigrerende houding van diegenen wiens leven zij redde. Annet Mooij beschrijft tevens de pedagogiek van Frommel die erop gericht was om jongeren in zijn ban te krijgen en de grensoverschrijdende seksuele moraal die daaraan ten grondslag lag.

De Eeuw van Gisèle. Mythe en werkelijkheid van een kunstenares biedt een rake en rijke inkijk in de onalledaagse ontwikkeling en levensloop van een sterke, eigenzinnige en kosmopolitische  vrouw die tot het eind trouw blijft aan haar keuzes en die de kunst verstaat om de onvermijdelijke consequenties van deze keuzes steeds weer tot innerlijke harmonie te brengen.

Ter gelegenheid van het verschijnen van het boek heeft Annet Mooij een tentoonstelling samengesteld. Aan de hand van Gisèle’s kunst en historische documenten toont zij de levensloop en de artistieke en persoonlijke ontwikkeling van Gisèle.

 

Visit

The House of Gisele can be visited in guided tours of 12 persons maximum. The tour takes approximately 1 hour. The group will visit the authentic WWII apartment of Gisèle en her hiders, the salon, where she lived with her husband Arnold D’Ailly after the war and her last studio where today contemporary exhibitions are shown.

house-of-gisele_visitYou can subscribe a group of 12 participants for the price of 120 euro. The price is fixed no matter the size of the group with a maximum of 12. The fee for the visit must be paid by PIN/bank card on spot before the tour departs. Tours can be planned on Wednesdays and Thursdays from 10-11 hrs or from 11-12 hrs. During weekends and holidays visits are not possible.

Please send a request to mail@castrumperegrini.nl with the list of participants and possibly a sentence on the background of the group or their special interests, your ideal date and time and one alternative day and time. You will receive a confirmation of your request by email within a week with a specified date and hour of visit. Please bring this confirmation. You will be visiting a private house, therefore appropriate and careful behaviour is much appreciated. Children are welcome from 10 years of age, pets are not allowed.

If you are an individual you can also send an e-mail to mail@castrumperegrini.nl  and we will get back to you with a proposal for a date for a group you can join for the price of 10 euro.

History

max-beckmann_oct-1945 _ giseleIn December 1940 Gisèle van Waterschoot van der Gracht rented the 3rd floor of Herengracht 401 as a pied-a-terre in Amsterdam. In that period, she was painting the portrait of her friend Adri Roland Holst in Bergen NH. During that occasion she met the exiled German poet and journalist Wolfgang Frommel. He and two of his Jewish students from a boarding school in Eerde looked for a shelter from Nazi persecution. Gisèle offered her apartment at Herengracht 401. They gave it the code name Castrum Peregrini, after a pilgrims castle in the holy land that was never captured, as a good omen so to speak.

groepsfoto-onderduikersThe group and a larger circle of friends focused on art and poetry to stay mentally sane, with Gisèle and Wolfgang being their teachers, mentors and friends. Gisèle did not join the Kulturkammer and therefore could officially not work as an artist. Still with clandestine private assignments and the support of her vast network she managed to feed the group and maintain the place as a bubble of hope and warmth in the darkest periods of their lives. After the war the group realised they had become a family and Gisèle, bit by bit, acquired the whole house and turned it into a foundation under Dutch law. In 1981 she could also acquire the neighbouring building in the Beulingstraat and connect it with Herengracht 401. Art, poetry and friendship, that bound the group in times of the occupation, became the drivers of the post war community. They used Castrum Peregrini to name the foundation and its magazine that the group started to edit.
gisele-voor-tt-adam-museum_dna-van-amsterdamWolfgang Frommel lived in the building until his death in 1986. Gisèle lived and worked in the house until her death at the age of 100 years in 2013.

A vast and illustrious network of personalities have left their traces in the house,- be it the famous post war mayor of Amsterdam, Arnold D’Ailly, who stepped back from office to marry Gisèle, or Max Beckmann, Georg Baselitz, Marguerite Yourcenar, Roland Holst and many more. Still today the community tradition of Castrum Peregrini is maintained with its core staff living and working in the building.

In 2007 the publishing house was outsourced and the foundation focussed on a cultural programme and research projects around its core values freedom, friendship and culture. As of 2016 these activities are streamlined in three pillars of activities, The House of Gisèle vistors centre, Memory Machine cultural programme and Intellectual Playground think tank. Read more about the current activities here.

Virtual tour

This is a virtual visit to Gisèle’s studio in which she worked the last 30 years of her life. It shows the state in which she had left it. Today it is used for the cultural programme of the Castrum Peregrini – Memory Machine, for contemporary exhibitions, lectures, performances.