Art As Resistance, #1 – by Leon Laskus

Art As Resistance,#1

Seminar on Saturday 4 February 2017

organized by Framer Framed, Humanity in Action and Castrum Peregrini

von: Leon Laskus

Am Samstag, den 04. Februar, startete erfolgreich der erste Teil der Symposiumsreihe „Art as Resistance, #1“ auf dem Intellectual Playground Castrum Peregrini in Zusammenarbeit mit Framer Framed und Humanity in Action.

Der Tag begann mit einem Grundsatzreferat der New Yorker Künstlerin Adeola Enigbokan, heute Professorin an der Universität von Amsterdam. Darauf folgten drei Workshops der Künstler Maria Guggenbichler, Charl Landvreugd und Patricia Kaersenhout zu kulturellen Identitäten, das kollektive Gedächtnis und über die Notwendigkeit Geschichte, wie sie präsentiert wird, zu hinterfragen.

Ich, seit einem halben Jahr Freiwilliger im Castrum Peregrini, nahm Teil am Workshop „Rewrite History“ von Patricia Kaersenhout. Nach dem die kulturelle Aktivistin und Performance Künstlerin ihre Ergebnisse ihrer bisherigen Werke präsentierte, war es die Aufgabe der Teilnehmer die Geschichte des Kolonialismus zu überarbeiten – in Sachbüchern oder als Collagen. Dabei sollten wir versuchen uns in eine Identität indigener Völker hineinzuverseIMG_3350tzen. Stift, Kleber und Messer waren dann unser Werkzeug die aus der zweiten Hälfte des letzten Jahrhunderts stammenden Bücher, welche zum Teil noch Rassenlehre beinhalteten, zu befreien.

Es war eine Art von kollektiver Kunst. Zuvor hatten Menschen mit diesen Büchern gearbeitet und mit deren Bildmaterial Collagen gestaltet. Patricia gab uns den Hinweis auf Affinität: Wir würden feststellen, dass wir mit jenen verbunden seien, die zuvor in dieser Weise an diesen Büchern arbeiteten. Und, es stimmte: ehe ich die übermalten, entfernten und ausradierten christlichen Symbole bemerkte, die im Geschichtsbuch nahezu überall verteilt waren, hatte ich schon begonnen die Kirchen aus den Bildern herauszuschneiden.

Nach dem Abschluss unserer Werke und das Auffassen von dem, was bereits andere vor mir im Buch getan haben, wurde es mir wieder deutlich, dass Geschichte sehr unterschiedlich präsentiert werden kann. Durch die neu gestalteten Bücher, wie auch Texte, ergab sich ein neuer Sinn der Zusammenhänge des Vergangenem. Aus der Sicht von vielen „Indianern“ also, würde beispielsweise eher „the Devil“ über den Köpfen der Kolonialherren stehen, als der Name mit sämtlichen prunkvollen adligen und militärischen Titeln.

Es zeigte sich mir, dass Kunst ein wunderbares Instrument sein kann, um aus einem Mainstream Geschichtsbild auszubrechen und durch so entstehende kritische Betrachtung des Mediums sein gewohntes Denkmuster der Geschichte zu ändern.

Leon Laskus volunteers during a year at Castrum Peregrini via Action Reconciliation Service for Peace ARSP a.k.a. ‘Aktion Sühnezeichen / Friedensdienste’. After finishing his school ‘Abitur’ in Berlin, he applied for a country and an organisation.  Every year around 180 volunteers, mostly aged between nineteen and twenty five are active for ARSP in thirteen different countries on a variety of educational, historical, political and social projects. For over 50 years ARSP has been committed to working toward reconciliation and peace, as well as fighting racism, discrimination and social exclusion. read more about ARSP

Conflicting Memories: Ukraine

Round Table Conversation
Conflicting Memories: Ukraine
A political crisis from a cultural perspective, part 2

due to circumstances: 16 February 2017 was POSTPONED >> a NEW date will be announced soon 

Language: English
Price: 7,50 euro, reduced fee 5 euro
RSVP at productie@castrumperegrini.nl

A collaboration between Castrum Peregrini and the European Cultural Foundation

Participants: Ivan Krastev, Centre for Liberal Strategies, Sofia, Vasyl Cherepanyn, Visual Culture Research Centre, Kyiv and laureate of the ECF Princess Margriet Award (2015) and Fleur de Weerd, journalist and former correspondent in Ukraine.

The participants will each give a short contribution on their view of the current conflict from the perspective of collective memory, followed by a panel discussion including the public moderated by Katherine Watson, director ECF.

Read more here.

and / or here

Art As Resistance, #1

Seminar
Art as Resistance, #1

Saturday 4 February, 11 – 17 hrs

Framer Framed, Humanity in Action and Castrum Peregrini are joining forces for a three part symposium series Art as Resistance. Our first edition starts with a key note lecture by artist & urbanist Dr. Adeola Enigbokan. Her manifesto:

ART & AFFINITY

In the wake of recent world events, art should help us to modify the groups or classes into which we organize ourselves. Art could also help us transform our thinking around where, and to whom, we belong. Art should create experiences that challenge us, forcing us to ask:

who are our “natural” companions?
who is our “true” family?
where do our obligations lie?
what are the stories we insist on telling ourselves about our “family,” our “nation,” and how can we leave these stories behind and tell new stories?

Art should constantly form and re-form us into associations along affinities we could not have imagined on our own.

After the keynote speech by Adeola Enigbokan after the lunch three interactive parallel workshops given by Maria Guggenbichler, Charl Landvreugd and Patricia Kaersenhout.

Programme

Patricia Kaersenhout

Patricia Kaersenhout

11.00-11.30 Doors open, coffee/tea and registration workshops
11.30-11.35 Welcome
11.35-12.20 Keynote by Adeola Enigbokan

12.20-13.00 Discussion/Q & A
13.00-14.00 Lunch
14.00-16.00 Parallel Workshops
16.00-16.20 Plenary wrap up
16.20-17.00 Drinks

See our Facebook Event for more information. Please make sure to book your Ticket(s) now.

Seminar on Critical Pedagogies

Seminarcritical pedagogies

Critical Pedagogies

Friday 20 January 2017

Friday 10 March 2017

From January through March 2017, Castrum Peregrini will host the Master Education in Arts students from the Piet Zwart Institute. The group will be meeting regularly in both Rotterdam and Amsterdam for a seminar on critical pedagogies.

Co-taught by Prof. Frans-Willem Korsten (The University of Leiden) and artist, Renee Turner, the seminar looks at critical pedagogies in the plural, meaning a range of educational theories with one common denominator, the term ‘critical’, which refers to the ability to analyze the social, cultural, pedagogical and institutional processes that are inherent to every form of education.

The seminar will also include a semi-public event on March 10th with guest speakers: Peter Kraftl (Chair in Human Geography at the University of Leicester), Esther Peeren (Associate Professor of Globalisation Studies at the Media Studies Department at the University of Amsterdam) and Jack Halberstam (Professor of American Studies and Ethnicity, Gender Studies and Comparative Literature at the University of Southern California).

 

If interested please send us an email: mail@castrumperegrini.nl

More information on the event and registration will follow.

Home and Belonging

Roundtable Discussion
Home and Belonging

28 February 2017, 20.00 hrs

Mathhew Wiebe Unsplash photo-1423958290593-a8eff6d8e583While the ongoing war in Syria has caused millions of people to be displaced rendering them homeless, questions of identity and home have become acutely topical. Castrum Peregrini and the Finnish Cultural Institute for the Benelux are organizing a discussion event on the topic of “Home and Belonging”, investigating mobility of people and belongings. The panel of speakers will discuss the process of the formation of value and function, but also the utopias and realities of human migration.

Havaintokuva_PulkkinenThe discussion event is part of the Finnish Cultural Institute’s artistic project Mobile Home(less). The institute has commissioned a new artwork, Street View (Reassembled), from Finnish sculptor Anssi Pulkkinen.  The art work is dealing with present day homelessness, and takes as its starting point ruins of a destroyed Syrian home, to create an installation that brings a caravan-like, mobile, temporary street view into an urban European city space. The work brings homelessness from behind news images into our everyday reality. The artist will be present at the event.

Castrum Peregrini’s exhibition Emerging [Hi]-Stories also looks at the symbolic value of material and objects as they move from one place to another. The exhibition (open 27.1.-10.3, Tue-Fri, 12-18 hrs) shows objects chosen of refugees to take with them on their journey and the stories they tell.

 

SPEAKERS

Umayya Abu-Hanna is an Amsterdam-based journalist and writer. Originally from Palestine, Abu-Hanna spent many years living and working in Finland prior to her re-location to the Netherlands. She has worked at the Finnish Broadcasting Company, Yle, as a columnist for the Finnish daily Helsingin Sanomat, as a multi-cultural expert at the for the Finnish National Gallery and a board member of the Finnish Central Art Council. At the moment she works as an adviser in Pakhuis de Zwijger, a cultural organisation in Amsterdam.

Özkan Gölpinar is publicist and a member of the Dutch Cultural Council. The Cultural council is the legal advisory organ of the Dutch government on the arts, culture and media. He was attached to the Leiden University Center for the Arts in Society on the research program Contemporary Art Beyond Boundaries. As program maker he was attached to the Mondriaan Foundation and the Foundation for The Arts, Design and Architecture (BKVB).  He has 20 years’ experience as reporter with:  Volkskrant, Trouw etc. Gölpinar has written several books, essays, theatre plays, and documentaries.

Aleksi Malmberg is the director of the Finnish Cultural Institute for the Benelux. Amongst other things, he has worked as the programme manager for the Helsinki Festival, the largest cross-disciplinary art festival in the Nordic countries, the managing director for publishing house Tactus, as well as the executive director for Our Festival. The common thread of his manifold professional history has been the relationship of influence between art and society, and he has, for example, edited the history of Kulttuuritalo, a concert venue in Helsinki that has functioned at the collision point of politics and culture.

 

Partners

Castrum Peregrini, ‘the fortress of the pilgrim’, is the nom de guerre of a WWII safehouse in the city centre of Amsterdam. Driven by her beliefs of art and friendship artist Gisèle van Waterschoot van der Gracht (1912 – 2013) helped young intellectuals and artists survive the war by offering them refuge in her house. Many parts of this canal house remain unchanged, making its history palpable. The human values of the House of Gisèle have grown and deepened in post-war years. On this background, Castrum Peregrini has developed into a lively house which organizes debates, publications and exhibitions.

The Finnish Cultural Institute for the Benelux is an independent, non-profit cultural organisation located in Brussels. As part of the network of Finnish Cultural and Academic Institutes abroad, it serves as a liaison between stakeholders in the field of culture from Finland and the Benelux countries. The Institute is an expert organisation which offers artists and organisations opportunities to create discussion, new projects and new possibilities of collaboration.